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	<title>The New Current &#187; CDs</title>
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	<link>http://www.thenewcurrent.com</link>
	<description>A Fresh Stream of Student Media!</description>
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		<title>Album Review: Lights – ‘The Listening’ 2010</title>
		<link>http://www.thenewcurrent.com/2010/07/31/album-review-lights-%e2%80%93-%e2%80%98the-listening%e2%80%99-2010/</link>
		<comments>http://www.thenewcurrent.com/2010/07/31/album-review-lights-%e2%80%93-%e2%80%98the-listening%e2%80%99-2010/#comments</comments>
		<pubDate>Sat, 31 Jul 2010 01:15:38 +0000</pubDate>
		<dc:creator>Reviews</dc:creator>
				<category><![CDATA[Albums]]></category>
		<category><![CDATA[CDs]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[2010]]></category>
		<category><![CDATA[Leeds Festival]]></category>
		<category><![CDATA[Lights]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[new release]]></category>
		<category><![CDATA[reading]]></category>
		<category><![CDATA[UK Tour]]></category>
		<category><![CDATA[US]]></category>

		<guid isPermaLink="false">http://www.thenewcurrent.com/?p=7227</guid>
		<description><![CDATA[Juno winner Lights (that’s her real name) debuts her first album which demonstrates just how good electro pop can be. Its hard to name some bands from Canada that have a massive following, with maybe only two or three names springing to mind. But if you like Owl City or Little Boots, this is the [...]]]></description>
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		<title>Album Review: Pulled Apart By Horses –  Self-Titled (2010 / Transgressive)</title>
		<link>http://www.thenewcurrent.com/2010/07/05/album-review-pulled-apart-by-horses-%e2%80%93-self-titled-2010-transgressive/</link>
		<comments>http://www.thenewcurrent.com/2010/07/05/album-review-pulled-apart-by-horses-%e2%80%93-self-titled-2010-transgressive/#comments</comments>
		<pubDate>Mon, 05 Jul 2010 03:59:21 +0000</pubDate>
		<dc:creator>niger</dc:creator>
				<category><![CDATA[Albums]]></category>
		<category><![CDATA[CDs]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[2010]]></category>
		<category><![CDATA[album]]></category>
		<category><![CDATA[brighton]]></category>
		<category><![CDATA[Leeds Reading Festival]]></category>
		<category><![CDATA[Pulled Apart By Horses]]></category>
		<category><![CDATA[release]]></category>
		<category><![CDATA[rock]]></category>
		<category><![CDATA[The Great Escape Festival]]></category>

		<guid isPermaLink="false">http://www.thenewcurrent.com/?p=6484</guid>
		<description><![CDATA[Being a particularly hard band to genre-pigeon-hole, PABH take influences from Disco, Punk, Hardcore and many other genres. With the announcement of the new album, it brought up a few concerns for me personally. Firstly, they are one of the most energetic bands I&#8217;ve ever seen, and their live shows are truly awesome. How would [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Bonnie &#8216;Prince&#8217; Billy &#8211; Beware Album</title>
		<link>http://www.thenewcurrent.com/2009/03/25/bonnie-prince-billy-beware-album/</link>
		<comments>http://www.thenewcurrent.com/2009/03/25/bonnie-prince-billy-beware-album/#comments</comments>
		<pubDate>Wed, 25 Mar 2009 23:46:40 +0000</pubDate>
		<dc:creator>Reviews</dc:creator>
				<category><![CDATA[Albums]]></category>
		<category><![CDATA[CDs]]></category>
		<category><![CDATA[beware]]></category>
		<category><![CDATA[country]]></category>
		<category><![CDATA[emotional]]></category>
		<category><![CDATA[new]]></category>
		<category><![CDATA[real]]></category>
		<category><![CDATA[vocal]]></category>

		<guid isPermaLink="false">http://thenewcurrent.com/?p=88</guid>
		<description><![CDATA[Following hard on the heels of 2008's Lie Down In The Light, Beware is Will Oldham's alter-ego Bonnie 'Prince' Billy's eighth solo album. It is – unsurprisingly – an organic work of great depth and texture. The melody and sense of acute longing that has infused Oldham's work since his earliest days with Palace is very much present and correct. Beware is an intimate album, full of strong emotion and underlying hope.]]></description>
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		<title>Darla Farmer &#8211; NASHVILLE, TENNESSEE</title>
		<link>http://www.thenewcurrent.com/2009/03/25/darla-farmer-nashville-tennessee/</link>
		<comments>http://www.thenewcurrent.com/2009/03/25/darla-farmer-nashville-tennessee/#comments</comments>
		<pubDate>Wed, 25 Mar 2009 23:40:35 +0000</pubDate>
		<dc:creator>Reviews</dc:creator>
				<category><![CDATA[Albums]]></category>
		<category><![CDATA[CDs]]></category>
		<category><![CDATA[americana]]></category>
		<category><![CDATA[country]]></category>
		<category><![CDATA[exceptional]]></category>
		<category><![CDATA[free]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[south]]></category>
		<category><![CDATA[wild]]></category>

		<guid isPermaLink="false">http://thenewcurrent.com/?p=81</guid>
		<description><![CDATA[Doing what we do (as always seems to be the case) means we get to come across artists who help us understand the real direction music is heading in.  With so much 'new' music hitting the airwaves very few genuine acts seem to get an equal enough chance at getting what they are doing &#038; saying out there to the wider masses.  And then comes Darla Farmer who, along with Emanuel and the Fear &#038; Skint and Demoralised, are helping redefine the boundries of popular music in a way never done before. ]]></description>
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		<slash:comments>0</slash:comments>
		</item>
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		<title>Yo Majesty</title>
		<link>http://www.thenewcurrent.com/2009/03/25/yo-majesty/</link>
		<comments>http://www.thenewcurrent.com/2009/03/25/yo-majesty/#comments</comments>
		<pubDate>Wed, 25 Mar 2009 23:36:27 +0000</pubDate>
		<dc:creator>Music</dc:creator>
				<category><![CDATA[Albums]]></category>
		<category><![CDATA[CDs]]></category>
		<category><![CDATA[brash]]></category>
		<category><![CDATA[dance]]></category>
		<category><![CDATA[danger]]></category>
		<category><![CDATA[hardcore]]></category>
		<category><![CDATA[missy]]></category>
		<category><![CDATA[new york]]></category>
		<category><![CDATA[women]]></category>

		<guid isPermaLink="false">http://thenewcurrent.com/?p=77</guid>
		<description><![CDATA[Yo Majesty Futuristically Speaking... Never Be Afraid: 2008. Ready your ears, if you can, for the mind-blowing, astounding, sonic boom that is Yo Majesty's first full release. This Florida duo takes the attitude of Kelis, mixes it with M.I.A. and Missy and takes it to the limit… before pushing right through it.
]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Moon Cresta &#8211; eROCKtile dysFUNKtion SOULutions</title>
		<link>http://www.thenewcurrent.com/2009/03/25/moon-cresta-erocktile-dysfunktion-soulutions/</link>
		<comments>http://www.thenewcurrent.com/2009/03/25/moon-cresta-erocktile-dysfunktion-soulutions/#comments</comments>
		<pubDate>Wed, 25 Mar 2009 23:32:56 +0000</pubDate>
		<dc:creator>Reviews</dc:creator>
				<category><![CDATA[Albums]]></category>
		<category><![CDATA[CDs]]></category>
		<category><![CDATA[electric]]></category>
		<category><![CDATA[funk]]></category>
		<category><![CDATA[moon]]></category>
		<category><![CDATA[space]]></category>
		<category><![CDATA[trance]]></category>
		<category><![CDATA[trash]]></category>

		<guid isPermaLink="false">http://thenewcurrent.com/?p=73</guid>
		<description><![CDATA[One of the first albums we got sent for this new season of reviews on The-Current was by Moon Cresta from Vigo-Nigran, Spain.  Their 1st album eROCKtile dysFUNKtion SOULutions is a complex and loving funk infused offering with genuine elements of rock.  Of all the music you get to hear Moon Cresta are a band who demand respect for the music they have made here! 'eROCKtile dysFUNKtion SOULutions' is more than a unique album it is a musical talent and understanding of funk and rock and has maturity that few albums today show.
]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Introducing &#8216;Peasant&#8217;</title>
		<link>http://www.thenewcurrent.com/2009/03/25/introducing-peasant/</link>
		<comments>http://www.thenewcurrent.com/2009/03/25/introducing-peasant/#comments</comments>
		<pubDate>Wed, 25 Mar 2009 18:29:35 +0000</pubDate>
		<dc:creator>Reviews</dc:creator>
				<category><![CDATA[Albums]]></category>
		<category><![CDATA[CDs]]></category>
		<category><![CDATA[americana]]></category>
		<category><![CDATA[bluegrass]]></category>
		<category><![CDATA[class]]></category>
		<category><![CDATA[original]]></category>
		<category><![CDATA[Peasant]]></category>
		<category><![CDATA[poor]]></category>

		<guid isPermaLink="false">http://thenewcurrent.com/?p=56</guid>
		<description><![CDATA[Peasant (Damien DeRose) has in a short space of time proven that music is not dead...]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Seu Jorge &#8211; America Brasil</title>
		<link>http://www.thenewcurrent.com/2009/03/25/seu-jorge-america-brasil/</link>
		<comments>http://www.thenewcurrent.com/2009/03/25/seu-jorge-america-brasil/#comments</comments>
		<pubDate>Wed, 25 Mar 2009 18:21:48 +0000</pubDate>
		<dc:creator>Reviews</dc:creator>
				<category><![CDATA[Albums]]></category>
		<category><![CDATA[CDs]]></category>
		<category><![CDATA[America]]></category>
		<category><![CDATA[brazil]]></category>
		<category><![CDATA[cuban]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[Jorge]]></category>
		<category><![CDATA[Seu]]></category>

		<guid isPermaLink="false">http://thenewcurrent.com/?p=48</guid>
		<description><![CDATA[This album has a loose confident swagger throughout, irrespective of whether we are listening to the more rootsy tracks, the ballads or strutting our dance steps to Samba Rock. Released in Europe through Proper Distribution in 2008.
]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Working on a Dream &#8211; Bruce Springsteen</title>
		<link>http://www.thenewcurrent.com/2009/03/25/working-on-a-dream-bruce-springsteen/</link>
		<comments>http://www.thenewcurrent.com/2009/03/25/working-on-a-dream-bruce-springsteen/#comments</comments>
		<pubDate>Wed, 25 Mar 2009 18:13:05 +0000</pubDate>
		<dc:creator>Reviews</dc:creator>
				<category><![CDATA[Albums]]></category>
		<category><![CDATA[CDs]]></category>
		<category><![CDATA[americana]]></category>
		<category><![CDATA[bruce]]></category>
		<category><![CDATA[classic]]></category>
		<category><![CDATA[dream]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[World]]></category>

		<guid isPermaLink="false">http://thenewcurrent.com/?p=43</guid>
		<description><![CDATA[To understand the romantic sweep and swaggering musical ambition that define Bruce Springsteen's first album of the Obama era, you have to go all the way back to an artifact of the Ford administration: 1975's Born to Run. In those days, Springsteen was driving the E Street Band without a seat belt, staying up all night piling on overdubs: glockenspiel, surf guitar, violins, motorcycle noises. ]]></description>
		<wfw:commentRss>http://www.thenewcurrent.com/2009/03/25/working-on-a-dream-bruce-springsteen/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Meeting The Heys</title>
		<link>http://www.thenewcurrent.com/2009/03/25/meeting-the-heys/</link>
		<comments>http://www.thenewcurrent.com/2009/03/25/meeting-the-heys/#comments</comments>
		<pubDate>Wed, 25 Mar 2009 18:05:44 +0000</pubDate>
		<dc:creator>Reviews</dc:creator>
				<category><![CDATA[Albums]]></category>
		<category><![CDATA[CDs]]></category>
		<category><![CDATA[70s]]></category>
		<category><![CDATA[album]]></category>
		<category><![CDATA[british]]></category>
		<category><![CDATA[the heys]]></category>
		<category><![CDATA[young]]></category>

		<guid isPermaLink="false">http://thenewcurrent.com/?p=37</guid>
		<description><![CDATA[Indie rock band, The Heys, have released their debut album 'youngbored&#038;broke'. The UK band has maintained an indie sound by building their own recording studio in a basement. Their studio also keeps the the four guys and their music less corporately connected and away from the dogmatic industry producers. ]]></description>
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