Where to go!

From time to time we come across a place we just have to scream from the rooftops for you to head to and try out for yourself. So here is where you will find some of the best venues, clubs, cafe’s, cinemas, shops, & resturants from all over the UK, we’ve tried them all and know your going to love them.

EdCom Has Announced The International Comedy Talent For 2010 Edinburgh Fringe

This year’s Fringe Festival goes from great to it really can not get any better than this. Sitting in our office we get the announcement that made Tom send out one his usual excited yelps and on showing me the email from this years EdCom line up I, for the first time, joined Tom in his yelp. Their line up this year is nothing short of a spectacular offering of some of the greatest comedy performers with one of the highlights being none other than renowned actress Jennifer Coolridge.

This will be Jennifer’s first international show and there is no place like the Edinburgh Fringe to introduce your stand up to one of the biggest and best festivals in the world. Only the other day watching an episode of Fraiser in which Jennifer played the new physiotherapist, Frederica, for Martin, her German accent was a touch of pure genius. And Ms Coolridge is no one trick pony after starring Legally Blonde and as the Stiflers Iconic mother in the American Pie films, as well as Oscar Nominated A Mighty Wind, and Golden Globe Nominated Best In Show, Jennifer has managed to work both in films and TV.

Category Comedy
Genres stand-up
Group EdCom
Venue Assembly @ George Street
Event Website www.edcom10.com
Date 5-29 August
Time 20:15
Duration 1 hour
Suitability U

Her TV Credits include, Kath and Kim, Sex and the City, According to Jim, The Closer, Sienfeld, and Nip/Tuck to name a few. Her comic timing, beauty, and ability is going to make her show at The Fringe 2010 one of the most talked about and in demand.

I highly recommend you booking tickets early as this show is destined to become a sold out fringe run!

Also on part of the EdCom roster this year are if.comedy Award Winner David O’Doherty celebrating a decade at the festival with his tenth show, Somewhere Over The David O’Doherty.

Irish-American Des Bishop’s My Dad Was Nearly James Bond, a moving and candid look at his relationship with his former bit-part movie actor father who was diagnosed with lung cancer last year.

The original Veruca Salt in the ’70s film version of Charlie And The Chocolate Factory Julie Dawn Cole teaming up with Australian stand-up Matthew Hardy for a curiously true tale of child stardom.

And cult obsession and Cape Town acoustic comedy duo The Brothers Streep, with whip-smart lyrics and blissfully sweet harmonies.

We are really proud to be able to bring you a preview of the EdCom international line up this year and we will be, if time allows, be interviewing Ms Coolridge when she plays the entire run of the 2010 Edinburgh Fringe  Festival. TNC is also very lucky to be able to get the chance to do our world famous email interviews with other some of the other performers; The Brothers Streep, Aidan Bishop and Maeve Higgins. All of EdCom’s shows will be reviewed by TNC this year and for more information on EdCom and their line up Please Click Here.


Edinburgh Fringe 2010: Interview ‘OCD: The Next Generation’, Gill Smith

Gill Smith, writer, award winning stand up, educator, new mother – is there anything this woman is not – is bringing her third solo stand up show “OCD: The Next Generation” to the Edinburgh Fringe Festival, before touring around the UK. It is always fun and makes our job worthwhile when you get to meet performers as full of life and fresh as Gill, it also makes it very easy! Her show last year was a incredible triumph and this new one is bound to follow very easily in those footprints.

This is a TNC Must See Show! More information can be found at the end of Gill’s interview.

Following hot on the heels of her 2008 show “OCD: My Family and Other Anals” and her 2009 solo show “OCD: Truly, Madly, Neatly”, performed at the Edinburgh Fringe while pregnant, Gill now takes a look at Obsessive Compulsive Disorder with a baby – is it possible to still be, and if so, will she pass this on to the next generation?

2009 Edinburgh Fringe Poster

Gill says: “I grew up in a household full of ‘quirks,’ but until I started stand-up, my own and my family’s Obsessive Compulsive Disorder moments used to be strictly private. But after the amazing response to 2008’s Edinburgh show (also at Henley Fringe 2008 and Brighton Fringe 2009), I got even more fervently fanatical about everyone else’s than I was already. It’s gone from a faint fascination to a full-on funny foible fixation!”

The show, which is Gill’s fourth as part of Laughing Horse , covers a wide range of topics, from nightmare nappies and shoulder sick, to whether, like Gill herself, the next generation will be encouraged to play with her food.

A regular around the national comedy scene, Gill Smith hasn’t let maternity leave stop her planning an Edinburgh Fringe show she believes may be her best yet – and all inspired by her already worryingly control-freak daughter.

Of this year’s show, Gill says

“I’m really excited to be doing a solo show again in 2010. I’ve been coming to the Fringe, and reviewing other people’s shows at it for many years. I’ve performed solo shows for the last two years, and despite a large ‘bump,’ hosted an additional topical comedy show in 2009, so I feel like part of the furniture at the Fringe.

“When I found out I was pregnant, I wasn’t sure I’d be able to make Edinburgh 2010 with a young baby, but thankfully her dad’s as anal as I am, and he’s promised to keep her really clean and tidy while I’m on stage. It’s thrilling to be able to introduce my little girl to her first Edinburgh Fringe!”

Gill Smith 2010 Interview

How have things been going, you all done and dusted for the summer shows or are there still some creases to iron out?

I am nowhere near as done and dusted as I’d like to be, but as someone who’s a little bit obsessive and perfectionist, that’s not surprising. So yes, dusting to do, and creases to iron out, but what could be more fun than metaphorical housework?!

What has made you want to do the Free Fringe?

This is my third year as part of the Laughing Horse Free Festival, and I consider it brilliant value for money. So many acts come away from the fringe each year with ridiculous levels of debt. By doing the Free Festival, I dramatically decrease my costs, while at the same time meaning that every penny the public think the show is worth, goes direct to me. Of course, plenty of that goes back into the city in the form of me eating, drinking, and generally being merry, but that’d happen anyway, so without the massive venue costs, all that’s guilt-free!

Have there been any obstacles in producing this show?

There is one small, but very charming obstacle to getting any work on the show done. Being a mum not only reduces your working time, but when there’s a possibility of a first rolling-over, she’s very distracting! So this year finding the time has been harder, but I’ve already learnt to be so much more focused when I do get to work on it. It’s also tricky getting out to do many gigs, so most of my previews will be to friends, family, and the mums from toddler groups. Many of those will be in my front room!

What was the best feedback you got from your audience or the press?

I love it when people identify with me and my obsessive foibles. When I brought “OCD: My Family and Other Anals” to Edinburgh, thanks to chatting to audience members, I not only discovered a whole world of other people’s OCDs, but realised I had plenty more that I just hadn’t spotted before!

A year later, I ran into someone who’d seen the show, and he and his flatmate were getting on better because he now understood that the toilet roll just did have to be round the right way, even if there is no logical reason. That was brilliant!

What was the Best and Worst shows you’ve played?

Best was the most packed day of my 2008 show, where the audience were sitting or standing on / in every available space, including around my feet. They were laughing and having fun, and naturally, I was too!

Worst was a gig in a small village in deepest Suffolk, where the only audience members not related to each other were the two related to me. There’s always something odd about a gig with three or more generations of the same family.

What can people expect?

They can expect a lot about becoming a new parent, and a lot about being OCD. Where those two hit – well, there are lots of questions on how that works out, and I aim to answer those, as well as the ultimate question – is my little girl getting my OCDs? I spot new things that might be signs of it every day, which means the show will always be changing as fast as an 8 month old can!

Any new tricks up your sleeves?

Yes, but there’s also an awful lot of slobber on the sleeves.

Who has been an inspiration to you?

Mainly my little girl – it’s like having your own personal comedy muse!

What advice have you been given, and what advice would you give someone bringing a show to the Free Fringe?

I would say if you want to do a show, you must do it! But don’t rush into it. Be sure you’re ready for your first year’s show, because once you’ve done that, you’ll be bitten by the Fringe bug (in more ways than one if your accommodation is too cheap) and you’ll want to be back year after year. And keep in mind that the adrenalin fuelled rollercoaster that is “getting a show ready for Edinburgh” goes from September to August.

You only get the last few days of August off because you’re too tired from a brilliant month to think straight! I’d also say go up some year, even just for a few days kipping on friends’ floors, so you can see what the fringe is like and how it works. That way you’ll be taking a show that’s right for the fringe, right for you, and right for the audiences, and if you manage that, everyone’s having fun!

Category Comedy
Genres stand-up, storytelling
Group Gill Smith/Laughing Horse Free Festival
Venue Laughing Horse @ The Three Sisters
Event Website www.gillsmith.co.uk/tng.php
Date 5-21 August
Time 14:45
Duration 1 hour
Suitability PG

TNC Exclusive: Win a Pair of Jackson Browne Tickets at Liverpool Summer Pops Festival

I believe some band once sang a song about Monday’s, it was pretty negative, but on waking up today all I have is good news to share. Our great friends at CMP Entertainment in Liverpool have given The New Current a pair of tickets for Jackson Browne who will be taking part of the Liverpool Summer Pops Festival on 2nd July 2010.

Summer Pops promoter, Chas Cole said, “I’m a life-long fan of Jackson Browne, to bring him to Liverpool is a huge thrill for me.”

This is an incredible opportunity to see the Laurel Canyon icon Jackson Browne perform his amazing blend Americana, Folk, Rock like no other musician. This is a great opportunity to see an act as superb as Jackson Brown who is one of the best by far. Joining Jackson at Liverpool Summer Pops Festival is going to be David Lindley, one of Jackson’s longterm collaborators is also going to be performing with Jackson which comes on the heals of their spellbinding set at this years Glastonbury Festival at which the due took to the acoustic stage last night at 10pm.

Last night at Glastonbury Browne and longtime collaborator Lindley where the last act to take to the acoustic stage. They are scheduled against Stevie Wonder, which seems to bother Browne more than just a little bit (as he wants to watch him play), but a loyal crowd know where they’d rather be. Ninety minutes of guitar virtuousity, crafted pop songs and wry badinage follow.

One fo the high points was Take It Easy which closed the set and its opening chords garnered the biggest cheers of the night. A special mention, however, goes to Lindley’s homespun ditty about the point in a man’s life when he starts to grow breasts. It’s called How About When a Man Gets Boobs.

As Browne confirms: “David has a lot of uncoventional songs“.

Well respected amongst his peers, Browne has written songs for the likes of Joan Baez, The Byrds and The Eagles. He, famously, co-wrote The Eagles’ hit “Take It Easy” with founding member of the band, Glenn Frey. Browne had a 1972 hit with “Doctor My Eyes”, a collaboration with David Crosby and Graham Nash, who feature in the Summer Pops 2010 calendar as CROSBY, STILLS & NASH.

To win our pair of tickets for this event, courtesy of the great people at CMP Entertainment, all you have to do is email us your fondest memories of Jackson Browne’s music to competitions@thenewcurrent.com. The Winner will be emailed on the 1st July 2010!

And for more information and to buy tickets for Liverpool Summer Pops Festival follow these links:

SUMMER POPS HOTLINE: 0844 847 1616 – www.ticketmaster.co.uk

ECHO ARENA: 0844 8000 400 – www.echoarena.com

TICKETLINE: 0151 256 5555 – www.ticketline.co.uk

SEE TICKETS: 0871 220 0260 – www.seetickets.com

GIGANTIC: 0115 959 7908 – www.gigantic.com

AWARD WINNERS ANNOUNCED AT 64th EDINBURGH INTERNATIONAL FILM FESTIVAL

The Edinburgh International Film Festival today announced the winners in the six competition categories for feature films at an Awards Ceremony prior to the Closing Gala of the world premiere of THIRD STAR. The awards were presented by EIFF Artistic Director Hannah McGill and Patrons Tilda Swinton and Seamus McGarvey on the penultimate day of the Festival at Cineworld. This year’s winners are:

The Michael Powell Award for Best New British Feature Film, sponsored by the UK Film Council
SKELETONS – Directed by Nick Whitfield

PPG Award for Best Performance in a British Feature Film
DAVID THEWLIS in Mr Nice

Projector.tv Best International Feature Award
THE DRY LAND – Directed by Ryan Piers Williams

Moët New Directors Award
GARETH EDWARDS for Monsters

Best Feature Documentary Award
THE OATH – Directed by Laura Poitras

Standard Life Audience Award
The Award will be announced at the Awards Ceremony

This year’s Michael Powell Jury were actor Sir Patrick Stewart who presided over the five-strong Jury: director Mike Hodges; film curator Laurence Kardish; director Rafi Pitts and actress Britt Ekland.

The Jury citation read: “The Michael Powell Jury, having considered the eleven films in competition for the Best New British Feature Film, is pleased to announce two unanimous decisions. A Special Mention to Edward and Rory McHenry for their animated revision of modern British history, JACKBOOTS ON WHITEHALL, and the Michael Powell Award goes to writer/director Nick Whitfield whose debut feature SKELETONS best exemplifies the spirit of Michael Powell in its original vision and dark humour.”

On awarding David Thewlis the PPG Award for Best Performance in a British Feature Film, the Jury cited:

“The Michael Powell Jury is pleased to announce it has unanimously decided to present the PPG Award for Best Performance in a British Feature Film to David Thewlis for his energetic and electrifying performance as Jim McCann in Bernard Rose’s feature MR NICE.”

David Thewlis commented:

“This is a thrill and totally unexpected, and made all the more special by being honoured by one of my favourite cities in the world. Thank you.”

Lizzie Francke, Senior Production Executive with the UK Film Council, sponsor of the Michael Powell and Best British Short Film awards added:

“The UK Film Council’s support for Edinburgh’s film festival and the Michael Powell award underlines our commitment to promote and nurture new British film talent. Nick Whitfield’s Skeletons is an imaginative and touching debut film and winning the Michael Powell award confirms he is a talent to look out for. And in looking at new talent coming through short filmmaking, Daniel Mulloy’s Baby proves he is a writer/director with enormous promise.”

The Projector.tv Best International Feature Award was deliberated by a Jury of three: comedian/director Ben Miller, actor Jason Isaacs and producer Lynda Myles.

The Jury citation read:

“The winner is THE DRY LAND. We thought this delicate and emotional film took a subject that could have been predictable and explored it with a refreshing subtlety of characterisation, with universally beautiful performances and with a respect for the audience’s intelligence that made it not only a superbly told, gripping and relevant story, but a natural and unanimous winner.

We’d also like to commend two other films that gave us an enormous amount of pleasure locked, as we were, in dark rooms all day during the longest unbroken stretch of Edinburgh sunshine on record: For transporting us with a magnificent aesthetic flair, for its hypnotic cast and for creating an entirely believable world of monstrously amoral hit men that, despite ourselves, we all wanted to hang out with, we commend the epic landscape of SNOWMAN’S LAND.

And for giving us 2 hours of unbridled snorting laughter with a bucket-load of soppily embarrassing feelgood tears thrown in for good measure, we commend the unalloyed good time that is BARRY MUNDAY.”

The Moët New Directors Award was deliberated by a Jury of three, and their citation read: “The very high standard of the competitors for the Moët New Director’s Award made the selection process as difficult as it was pleasurable. There were, for all of the jurors, four stand-out films. We would like to give special mentions to NOTHING PERSONAL, SON OF BABYLON and WINTER’S BONE. And we give the award, which acknowledges both ability and potential, to MONSTERS and its maker Gareth Edwards, whose extraordinary talents we confidently expect to see a great deal more of in the years to come.”

EIFF Artistic Director, Hannah McGill said:

“We have had a tremendous festival experience this year, and it’s a particular pleasure to close with the world premiere of a film as beautiful, idiosyncratic and moving as Third Star. I warmly congratulate all of our award-winners, as well as the generous supporters of those awards; and I thank the wonderful people on our juries for their enthusiasm and dedication.”

The Documentary Jury citation read:

“The jury found themselves faced with a difficult choice between two very different but oddly complementary films. We would first like to make a special mention: of Sebastian Junger and Tim Hetherington’s RESTREPO, for its visceral intensity and unflinching honesty. But in recognition of the complexity and subtlety of its storytelling; the brilliance of its conception and execution; and the presence of an authorial voice that is strong without being didactic, the jury awards the EIFF 2010 Best Feature Documentary Award to Laura Poitras for THE OATH.”

All feature film winners also received a personalised magnum of Moët champagne, and attending the ceremony in Edinburgh to receive their awards in person were: Nick Whitfield for SKELETONS, Ryan Piers Williams and America Ferrera for THE DRY LAND and David Thewlis for MR NICE.

The EIFF 2010 Short Film Awards, which were presented at a ceremony on Tuesday evening in Edinburgh, went to:
UK Film Council Award For Best British Short Film
BABY – Directed by Daniel Mulloy

Best International Short Film Award sponsored by Steedman & Company
RITA – Directed by Fabio Grassadonia and Antonio Piazza

Scottish Short Documentary Award supported by Baillie Gifford
MARIA’S WAY – Directed by Anne Milne

McLaren Award for Best New British Animation in partnership with BBC Film Network
STANLEY PICKLE – Directed by Victoria Mather

Short Film Nominee Edinburgh, for the European Film Awards 2010
MARIA’S WAY – Directed by Anne Milne

The Michael Powell Award

Named in homage to one of Britain’s most original filmmakers and inaugurated in 1993, the Michael Powell Award has been supported by the UK Film Council since 2001. Rewarding imagination and creativity in British filmmaking, the award is judged by an international jury and carries a cash prize of £15,000.

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